Decoration: 2-line initials "S" in brown; 1-line initials are in brown rustic capitals; one "L" has a hollow shaft that is filled with brown cross strokes; punctuated with the punctus, punctus elevatus, and punctus versus.


Decoration: the Psalms begin with 4-line initials in brown ink, with vine-stem decoration, partially outlined in orange; 1-line initials at the beginning of verses are in orange; 1-line initials "Q" on f. 2r in black dotted with red; rubrics are written in orange uncials; first line of each Psalm is written in brown uncials with long ticks descending from each letter; punctuated with the punctus.


Decoration: the beginning of each Psalm has a 4-line initial in orange or brown square capitals with a single round form of "D", occasionally filled with yellow and green wash; 1-line initials at the beginning of verses alternate in brown and orange filled with yellow wash and in brown rustic capitals and uncials; rubrics are mostly written in orange minuscule, which are written in rustic capitals; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Script: written in early Gothic script.


Decoration: initials of the first antiphons of lauds and of second vespers are 1-line red capitals; other 1-line initials are in brown rustic capitals; those for the antiphons and responses of matins are dotted or traced in red; rubrics are written in red rustic capitals; the name "maria" is sometimes written with uncial "M" and mostly with capital "R"; punctuated with the punctus; chants and marginal tonary letters have neumes in the St. Gall style.


Decoration: three-quarter page initial "A" on green, red, and pale yellow ground with vine-stem decoration; 5-line initial "O" with a face; 4-line initial "C" with a face; 5-line initial "U" with portrait of Christ on a red and gree ground with modest foliate appendages; other 3- and 4-line initials, some with herringbone patterns in red; rubrics written in a mixture of red capitals and minuscule.


Script: written in early Gothic script (littera textualis).


Decoration: initials of the first antiphon for lauds and for several other hymns are 1- to 2-line square capitals in red; other initials are 1-line brown rustic capitals highlighted with red; rubrics written in red minuscule; minor initials in black highlighted with red; punctuated with punctus; interlinear neumes in the St. Gall style have been added by several hands.


Script: written in late Caroline minuscule by Gottschalk, a scribe at Lambach in the twelfth and early thirteenth century.


Decoration: the responsorial liturgy of most feasts begins with a 3- to 5-line initial in red with red vine-stem decoration and violet bands and foliage drawn by Gottschalk; three historiated initials of a trumpeter, Prophet Isaiah, and Gregory the great; 1-line red capitals are present in many antiphons as are 1-line initials of responses in thick brown uncials traced or dotted with red; rubrics written in red rustic capitals; punctuated with the punctus; interlinear neumes in the St. Gall style; tonary letters are written in the outer margin of each folio drawn on tiers of a column representing architectural support.


Script: written in late Caroline minuscule by several scribes.


Decoration: 7-line responsory initial "D" is a red uncial with red and black penwork and a portrait of St. Agnes; 4-line responsory initial "A" in red with vine-stem decoration; 1-line initials of "O" antiphons are in red capitals; other 1-line initials are brown rustic capitals; rubrics in red minuscule.


It is possible that not all these leaves come from the same manuscript. They were written by several scribes, and the written space varies.


Script: written in late Caroline script, similar to that written at Schaffhausen in manuscripts dated around 1100.


Decoration: inelegant 9-line initial "D" on the verso in rough gold with silver bands, outlined in red and with red in the center; the initial is on an orange, green, and blue ground. In the middle of the initial there is an eagle in gold and silver, with red dots, which holds a vine with flowers in his beak; 1-line initials in brown rustic capitals; scribal guidewords preserved in margin; heading written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Decoration: 1-line initials are in brown uncials; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation by the first hand.


Script: written in two sizes of gothic script (littera textualis) with the script of the biblical text approximately twice as large as the script of the commentary.


Decoration: 1-line initials are in red with blue penwork; smaller 1-line initials are in brown; paragraph marks, letters of running titles, and the roman numerals which are in the margins to designate chapters alternate in red and blue; biblical text written in the inner column although on fol. 2r commentary also appears to the left of the biblical passage; occasional interlinear glossing; punctuated with the punctus; hyphenation in the same ink as the text.


Script: written in progothic minuscule.


Decoration: 2-line initials alternate in red and blue; 1-line initials are in brown and a mixture of uncials and rustic capitals; running titles are written in black; punctuated with the punctus; hyphenation, accents, and diacritical marks over double "i" and double "a" were added in lighter ink.


Decoration: 3- to 4-line initials are written in red uncials; 1-line initials written in brown rustic capitals with an enlarged minuscule "e"; rubrics are written in red rustic capitals; punctuated with the punctus and the punctus elevatus.


Decoration: 1-line verse initials are in red square capitals with round "E"; punctuated with the punctus; the Psalms are written in verse with no divisions between the psalms.


Decoration: 2- to 4-line initials at the beginning of the Psalms are in red uncials and capitals; 1-line initials at the beginning of verses are in red; the first word of each Psalm is written in rustic capitals; puncutated with the punctus; Psalms not written in verse.


Decoration: 2-line initials are in red square capitals filled with yellow; 1-line initials are in brown rustic capitals; the incipit is written in red and the explicit in brown rustic capitals; punctuated with the punctus.


Decoration: there are three plain 2-line initials in red; 1-line initials are brown filled with red and a mixture of uncial and rustic capital forms; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Script: written in late Carolina minuscule.


Decoration: 1-line initials are in brown rustic capitals; punctuated with the punctus, punctus versus, and punctus interrogativus.


Condition: severely damaged from binding use.


Script: written in Caroline minuscule; hand very similar to that in Beinecke MS 482.12.


Decoration: two plain 2-line initials in red; 1-line initials are in brown uncials; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Script: written in two sizes of gothic script (littera textualis).


Decoration: 2- to 4-line initials in red; 1-line initials at the beginning of responses are in thick brown ink, sometimes highlighted in red; smaller 1-line initials at the beginnings of antiphons, psalms, and verses are in brown, highlighted in red; rubrics written in red in the same script as the text; punctuated with the punctus; chants have interlinear neumes; another hand has added interlinear hufnagel neumes over several lessons.


Script: written in two sizes of late Carolina/early Gothic script.


Decoration: two 3-line initials are in red uncials; 1-line initials are in brown rustic capitals occasionally highlighted with red; rubrics are written in red capitals; punctuated with punctus for chants, and the punctus, punctus elevatus, and punctus interrogativus for the lessons; interlinear neumes in the St. Gall style; accents in the same ink as the text.


Script: written in two sizes of late Caroline minuscule.


Decoration: 2- to 4- line initials at the beginning of the feasts and lessons are writte in red square capitals; 1-line initials at beginning of lessons written in red square capitals; 1-line initials for other chants are in brown rustic capitals and frequently traced or dotted in red; 1-line initials of lessons are in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus for chants, and the punctus, punctus elevatus, and punctus interrogativus for the lessons; interlinear neumes in the St. Gall style; neumed differentiae and tonary letters for antiphons are in the outer margins.


Script: written in two sizes of early gothic script (littera textualis).


Decoration: 1- to 3-line initials at the beginning of lessons and prayers are in red square capitals; the responsorial liturgy on fol. 4v begins with a 2-line round "D" in red; initials at the beginning of the Benedictus and Magnificat antiphons are 1-line red capitals; other 1-line initials are in a mixture of brown uncials or rustic capitals with initials of responses dotted in red; rubrics are written in red in the same script as the text; punctuated with the punctus for the chants, and the punctus, punctus elevatus, and punctus interrogativus for the lessons; interlinear neumes in the St. Gall style; hyphenation is in the same ink as the text.


Decoration: 1- to 3-line initials alternate red and green square capitals with round "E"; 1-line initials of chants written in brown rustic capitals frequently dotted with red or green; rubrics written in red and green minuscule with uncial "M"; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.


Script: written in gothic script (littera textualis), below top line.


Decoration: 1-line initials alternate red and blue; punctuated with the punctus; hyphenation is in the same ink as the text.


Decoration: 10line initials are in brown uncials; punctuated with the punctus, punctus elevatus, punctus versus, and punctus flexus; double quotation marks in the margin; hyphenation in the same ink as the text.


Decoration: 1-line initials are in brown rustic capitals; two words in Greek majuscules with a line drawn above them; punctuated with the punctus and punctus elevatus; double quotation marks in the outer margin of the recto.


Decoration: 1-line initials are in brown uncials with the use of some rustic capital forms; punctuated with the punctus, punctus versus, and punctus elevatus; hyphenation is in the same ink as the text.


Decoration: two initials, "I" (4-line) and "C" (3-line) are in red and yellow. The red 1-line initial "D" beginning the lesson is round and highlighted with yellow; other 1-line initials are in brown uncials with some rustic capital and enlarged minuscule forms, usually highlighted in red; rubric in red minuscule highlighted with yellow; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.


Decoration: 2- and 3-line initials are in red capitals with an uncial M and round E decorated with small round balls or with two or three cross-hatches; 1-line initials are in brown and a mixture of rustic capitals, uncials, and enlarged minuscules; rubrics are in red minuscule with some capital forms; punctuated with the punctus, punctus elevatus, and the punctus versus; hyphenation in the same ink as the text; accents added by later hand.


Decoration: 1-line initials in brown square capitals highlighted with red; other 1-line initials in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Decoration: at the beginning of the text is a cross with ornamentation in brown penwork; 2-line initial "A" in brown ink with the left shaft and crossbar hollow and the right shaft solid; 1-line initials are in brown rustic capitals; punctuated with the punctus and punctus versus; the charm is written in a thirteenth-century gothic hand (littera textualis), evidently in German.


Decoration: 2-line initials at the beginning of sermons are in red uncials; 1-line initials are in brown rustic capitals and uncials; rubrics written in red minuscule; punctuated with the punctus.


Script: written in two sizes of late Caroline minuscule, a larger module for the lessons and prayers and a smaller module for the chants.


Decoration: 2- and 3-line initials in red square capitals, which has oxidized to a silver color; 1-line initials in brown rustic capitals; rubrics written in red minuscule; line fillers in red; punctuated with the punctus and punctus elevatus; chants have interlinear neumes in the St. Gall style.


Decoration: 2-line initials in red square capitals; 1-line capitals in brown uncials; rubrics written in red uncials; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text; a thirteenth-century hand has added text in the margin; there are numerous erasures and corrections in the text.


Decoration: 4-line initial "P" in red; the initials of other prayers are in red; rubrics in red minuscule; punctuated with the punctus and punctus elevatus.


Decoration: 1-line initials in red; other 1-line initials are in brown; punctuated with the punctus, punctus elevatus, and punctus interrogativus.


Decoration: 2-line initial "O" is in red, decorated with two small red dots protruding into the interior of the letter; 1-line initials are in a mixture of brown uncial and rustic capital forms; punctuated with the punctus and punctus interrogativus; marginal hymn has 1-line capitals, rubrics, and paragraphs marks in brown highlighted with red as well as interlinear neumes in the St. Gall style.


Script: written in large late Caroline minuscule.


Decoration: 1-line initials of each verse are in orange square capitals; punctuated with the punctus and punctus elevatus.


Condition: tear in outer and lower margin repaired with gold and pale red thread.


Decoration: 2-line initials are the beginning of the Psalms are in red, which has oxidized in places to silver and decorated with with two or three small round red dots protruding into the interior of the letter; 1-line initials at the beginning of verses in red uncials and square capitals; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; there are several antiphons in the margins in a contemporary hand with interlinear neumes in the St. Gall style.


Decoration: each Psalm begins with a plain 2- or 3-line initial in red square capitals; 1-line initials at the beginning of verses in red rustic capitals; rubrics in red capitals; verse dividers are in red; the first words of each Psalm are written in brown rustic capitals; punctuated with the punctus; there are several later marginal annotations which are mostly illegible.


Script: written in gothic script (littera textualis).


Decoration: 3-line initial "B" in red with blue and red penwork; 1-line initials at the beginning of verses in red uncials; line dividers in red; punctuated with the punctus.


Decoration: 3- to 4-line initials at the beginning of Psalms in red; some decorated with two or three small round red dots protruding from the interior of the letter; these initials are similar to those in Beinecke MS 481.48 and MS 481.52 and the Lambach Rituale (Cml LXXIII); 1-line initials at the beginning of verses in red square capitals; rubrics in red minuscule; first few words of each Psalm written in brown rustic capitals; punctuated with the punctus and punctus elevatus.


Decoration: 2- to 3-line initials at the beginning of each Mass are in red square capitals; 1-line initials in a mixture of red uncials and square capitals; rubrics written in red minuscule, with some rustic capital forms; first word after the major initial is frequently written in brown rustic capitals; punctuated with the punctus and punctus elevatus.


Script: written in small late Caroline minuscule.


Decoration: initials for masses on fols. 1-3 are 2- to 5-line square capitals or uncials in red; on fols. 4-5 they are 1-line capitals in red; other 1-line initials are in red; rubrics, many rubbed and illegible, written in red minuscule; guide words for the rubricator written in brown minuscule; occasional chants have interlinear neumes in the St. Gall style; punctuated with the punctus and punctus elevatus.


Script: written in late Caroline minuscule by Gottschalk, a monk from the abbey of Lambach, Austria, whose hand appears in of other manuscripts, including Beinecke MS 481.51.


Decoration: In the upper left corner of the verso is a faint sketch of a cat (or possibly a wolf or lion), probably contemporary with the manuscript; 1-line initials are in brown rustic capitals; punctuated with the punctus and punctus elevatus.


Decoration: the initials and the rubrics for the chapters have not been added; the first word following the initial is written in brown rustic capitals; other 1-line initials written in brown rustic capitals; punctuated with the punctus; the Letter from Heaven was added to fol. 4r by a different hand later in the twelfth century.


Decoration: 1- and 2-line initials at the beginning of chants are in brown highlighted with red; rubrics are written in red in the same script as the text; square musical notation in block on four-line red staff; punctuated with the punctus; hyphenation in the same ink as the text.